The Story of Wynton Marsalis free essay sample

Composer, teacher, music educator and trumpet player. He Is of African American descent. Marshals was born on 1961 In New Orleans, Louisiana to Dolores and Ellis Louis Marshals. Wanton is among 5 other siblings, in which he is the second of six sons. Wanton was born into a very musical family as his brothers very into music as well as him but Just not as successful. His brother Ellis Marshals began playing as a tenor saxophonist but switched to piano while he was still attending high school.His brother Branford Marshals a saxophone player as well as composer and bandleader. Delayed Marshals, on of Wonts younger brothers plays the trombone and is also a record producer. Jason Marshals, also one of Wonts younger brothers is a Jazz drummer and member of the famous New Orleans Marshals Jazz musical family. It seems that music really does run In this family. Their father Ellis Marshals is a musicals and teacher, Their mother Dolores Marshals, sung In Jazz bands and Is very fund of music and a lover of music as well. We will write a custom essay sample on The Story of Wynton Marsalis or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Wanton was only at the age of 6 when he started to play the trumpet.Around the age of 8, just a couple of years later, Wanton became a part of the church band his family attended. When Wanton was 14 years old, he began playing with the New Orleans Philharmonic. Music was a big part of his life, almost all of his life. At the age of 17 years old, Wanton became the youngest musician to ever get accepted into one of the best musical schools there is. He was accepted into Tangle woods Berkshire Music Center in Lenox, Massachusetts. Marshals after he attended Berkshire, made a big move too big city. He made a move to New York City, where he attended the Jailbird School.There he Joined Art Blakely and his band called the Jazz Messengers. Around the year of 1982, Wanton was signed to Columbia Records and not too longer after released his first self-titled Jazz album. The album received rave reviews and top the charts. Wanton once said when asked In an Interview was his father a big Influence In his decision to pursue music. Wanton replied that his father was in fact a big influence stating that he received his first trumpet as a Christmas gift when he was 6 years old, which was when he first started to play. My father was an example to me, cause of the type of integrity he had when he would play.I also liked the musicians that my father played with. They were always around: James Black the drummer, Nat Prelate on saxophone. I liked Richard Payne the bass player, the great clarinetist Alvin Batiste. John Fernando was a great trumpet player and a teacher. I didnt like the music they played so much but I liked them. And I always liked to hang at the gigs and listen to them play and see what was going on. Wanton had many other music influences Including Monk, Duke, Miles, Charlie Parker, Jelly Roll Morton and a host of there. He said he always loved Jazz music because of the way artists he liked played.It Influenced him to want to be a Jazz musicals. Wanton Is now an Artistic Director In New York City at the Jazz of Lincoln Center but before he settled there, he made a lot and a host of other awards. In 1987, Marshals co-founded a Jazz program at Lincoln Center. In July 1996, Jazz at Lincoln Center was installed as a new constituent of Lincoln Center. In October 2004, Marshals opened Frederick P. Rose Hall, the worlds first institution for Jazz containing three performance spaces (including the first encore hall designed specifically for Jazz), along with recording, broadcast, rehearsal and educational facilities.Marshals presently[when? ] serves as Artistic Director for Jazz at Lincoln Center and Music Director for the Jazz at Lincoln Center Orchestra. [citation needed] One of his most recent releases was a 2011 collaboration with blues-rock guitarist Eric Clayton, a Jazz at Lincoln Center concert that produced the live album Wanton Marshals Eric Clayton Play the Blues. He has appeared on television shows, written musical books and has even played for the President of the United States.On Inauguration Day, January 20, 2009, the Wanton Marshals Quintet played at White House for a private party in honor of President Barack Obama. On January 19, Wanton also played at Kennedy Center with the Jazz at Lincoln Center Orchestra in honor of Dry. Martin Luther King Jar. Day. Wanton made history when he became the first musician to win Grammar awards for both Jazz and classical recordings. He became the first Jazz artist to receive and win the Pulitzer Prize in Music for his Opera named Blood on the Fields. In 2005, Wanton was given the National Medal of Arts.Wonts success is not only limited to the United States either. Britains Royal Academy of Music awarded him Honorary Membership, in 2009 and he was granted Frances highest award, the insignia Chevalier of the Legion of Honor. Marshals still seems to stay at his roots though, no matter how much success and accolades he has received. He was quick to respond to New Orleans during Strain, appearing in television ads and organizing Higher Ground, a benefit at Lincoln Center. Although never married, Marshals is said to have four children, it seems he really does fit the saying of married to music.

Italian Capitalization Rules

Italian Capitalization Rules In Italian, an initial capital letter (maiuscolo) is required in two instances: At the beginning of a phrase or immediately after a period, question mark, or exclamation markWith proper nouns Other than these cases, the use of uppercase letters in Italian depends on factors such as stylistic choices or publishing tradition. There is also the maiuscola reverenziale (reverential capital), which is still used frequently with pronouns and possessive adjectives that refer to Dio (God), people or things considered sacred, or people of high regard (pregare Dio e avere fiducia in Lui; mi rivolgo alla Sua attenzione, signor Presidente). In general, though, in contemporary usage, there is a tendency to avoid capitalization that is considered unnecessary. Capitalization at the Beginning of a Phrase To illustrate the occurrences where capital letters are used at the beginning of a phrase here are some examples: Titles in various genres: not just text, but also chapter headings, articles, and other subdivisionsThe start of any text or paragraphAfter a periodAfter a question mark or exclamation mark, but an initial lowercase may be permitted if there are strong logic and continuity of thoughtAt the beginning of a direct speech If a sentence begins with an ellipsis (...), then usually the examples described above begin with lowercase, except when the first word is a proper name. Those instances still require the use of the uppercase. Similarly (but more in terms of a typography choice) is the case in which a capital letter is used at the beginning of each verse in poetry, a device that is sometimes used even when verse is not written on a new line (for reasons of space), instead of using a slash (/), which is generally preferable to avoid ambiguity. Capitalizing Proper Nouns In general, capitalize the first letter of proper names (whether real or fictitious), and any terms that take their place (sobriquets, aliases, nicknames): Person (common names and surnames), animals, godsNames of entities, places, or geographical areas (natural or urban), astronomical entities (as well as astrological)Names of streets and urban subdivisions, buildings and other architectural structuresNames of groups, organizations, movements, and institutional and geopolitical entitiesTitles of artistic works, trade names, products, services, companies, eventsNames of religious or secular holidays There are also cases in which the initial letter is capitalized even with common nouns, for reasons ranging from the need to distinguish them from common concepts, personification, and antonomasia, to showing respect. Examples include: The names of historical eras and events and even of geological periods, centuries and decades; the latter can be written in lower case, but it is preferred to use uppercase if the intent is to call out the historical period.The names of a populace; usually it is customary to capitalize the historical peoples of the past (i Romani), and use lowercase for present-day people (gli italiani). Somewhat more ambiguous, however, is the use of capital letters in Italian compound nouns or in those nouns consisting of a sequence of words; there are a couple of hard-and-fast guidelines, though, that can be recommended: Initial capital letters are required with the sequence common name surname (Carlo Rossi) or more than one common name (Gian Carlo Rossi)Proper names used within nominative sequences such as: Camillo Benso conte di Cavour, Leonardo da Vinci The prepositional particles (particelle preposizionali), di, de, or d are not capitalized when used with the names of historical figures, when surnames didnt exist, to introduce patronyms (de Medici) or toponyms (Francesco da Assisi, Tommaso dAquino); they are capitalized, though, when they form an integral part of contemporary surnames (De Nicola, DAnnunzio, Di Pietro). Capitalization finds its most widespread in the names of institutions, associations, political parties and the like.  The reason for this profusion of capital letters is usually a sign of respect (Chiesa Cattolica), or the tendency to maintain the use of uppercase letters in an abbreviation or acronym (CSM Consiglio Superiore della Magistratura). However, the initial capital can also be limited to just the first word, which is the only obligatory one: the Chiesa cattolica, Consiglio superiore della magistratura.

Global Leadership and Managment Essay Example | Topics and Well Written Essays - 1500 words

Global Leadership and Managment - Essay Example Keywords: global, Nokia, corporate social responsibility, stakeholders. Global Leadership and Management Nokia has always been one of the leaders of the global telecommunications industry. Nokia’s mobile gadgets are used and loved by millions of consumers around the world. The quality and efficiency of Nokia’s strategies cannot be overestimated. However, the company is not always sensitive to the needs and concerns of its employees and stakeholders. At the heart of this discussion is Nokia’s decision to move its production facilities from Germany to Romania. Of the biggest concern is the fact that German facilities have been extremely profitable, and Nokia’s striving to cut its costs by all possible means subjects thousands of employees to the risks of unemployment and poverty. The goal of this paper is to review the strategies used by Nokia in its movement to the top of the business hierarchy and to analyze the pros and cons of Nokia’s approaches t o global expansion and growth. Until 2008, Nokia had been the biggest global manufacturer of cell phones (Jain, 2009). Based in Finland, Nokia gradually turned into the leading provider of cell phone devices and applications in the global telecommunications industry. ... A decision was made to close the plant in Germany and move production facilities to Romania (Jain, 2009). Nokia believed that cost reductions was a necessity and would help the company to retain its profitable position in the global telecommunications industry (Jain, 2009). Reasons why Nokia decided to move its production facilities from Germany to Romania were simple and obvious: employees in Germany were paid ten times as much as employees in Romania would need to fulfill the same amount of work (Jain, 2009). Moreover, the creation of a new plant in Romania was part of Nokia’s low-cost strategy (Jain, 2009). At that time, the company ran a number of manufacturing facilities in Europe (namely, Hungary, Finland and Germany), a manufacturing plant in Britain, as well as in Africa and the Middle East (Jain, 2009). The plant in Germany added to the burden of costs carried by Nokia in Europe, and the company management felt that moving to Romania was the best way to stay competiti ve in the long run. The decision to move the production facilities from Germany to Romania stirred mass protests, and the wave of backlash resulting from employee opposition soon expanded to cover European consumers of Nokia (Jain, 2009). Employees disagreed with Nokia’s decision to move the plant to Romania, mainly because Nokia’s presence in Germany had been extremely profitable for the entire business (Jain, 2009). Labor unions in Germany called Nokia’s strategic plans unacceptable and inhuman (Jain, 2009). In the meantime, Nokia believed that the German plant would reduce the company’s global competitiveness (Jain, 2009). The plant accounted for more than